Posted by Bob Greenberger on January 29, 2012
My first four days of student teaching were pretty much what I expected. It felt a lot like my internship, watching from the sidelines, although I got to participate here and there. But as I also expected, my two teachers are different enough that I can compare and contrast, and learn.
We began World Literature Seminar and I know a number of the students in each class, finally meeting some I merely recognize from the halls. We’re slowly building a foundation for the semester-long course, starting with the notion of what it means to be a foreigner. We all wrote a two-page piece on a time in our lives when we felt like the foreigner and then shared them in class. That proved fascinating (and I wrote about the first time I visited a trade show in Deb’s field, feeling like a warped version of the cons I’ve attended for decades). We are now working with a poem about an outsider’s view of entering Mexico and we’ll continue along these lines until next week when I begin teaching, leading them through the novel Imagining Argentina.
In fact, when I wasn’t in class, I was pillaging the department’s files to see how others taught the book; I was drafting my own unit plan.
Meanwhile, the two English classes began a unit on poetry, beginning with “B” by Sarah Kay, an up and coming poet. The kids were also asked to pick poems they wanted to work with for the forthcoming school-wide Poetry Out Loud competition. I got to select which poem each student was to use, which was fun. After using “B” to learn to how dissect, analyze and understand a poem, we spent Friday beginning to work on their individual choices. Complicating things was that my teacher was out so I worked with a substitute, which was odd. What was satisfying, though, was working with one student who was absolutely stumped about her poem’s meaning. I read it and began decoding it with her and we came up with an answer and she asked, “How’d you do that?” So I walked her through it again.
I may be getting the hang of this teaching thing.
This week will be more observation while building my first two unit plans and submitting them for review. So far, so good.
Posted by Bob Greenberger on January 26, 2012
I’ve been a fan of ElfQuest pretty much since the day Phil Seuling visited the Starlog offices with a bunch of swag. He would come up and hang with the publishers but always drop off some product he was handling through his Seagate Distributors and one day there were some issues of this magazine-sized black & white comic about elves that I had really only heard about.
I read the books and were hooked, going on to cover the series in Comics Scene, and befriending Wendy and Richard Pini. They wrote a guest editorial for me, provided me with news as the Starblaze color collections were being produced and got along just swell. We’d see one another at conventions and eventually acquaintances became friends. Once, I ran into Richard on the ferry ride from Connecticut to Lon Island as we both headed for I-Con. I introduced him to Kate and some time later, he sent me a complete box full of ElfQuest trades, which Kate and then her friends devoured.
Years later, DC Comics acquired the rights to ElfQuest, both archival and new material. Since we’d start with reprints, it fell to the Collected Editions department to manage and since I knew the creators and property best, I suddenly became their editor. We had a jolly time together and brought our shared passion to not only turning the classic story into four handsome Archive volumes, but also creating new stories to further the saga. It was a stretch of the rules, but I was allowed to edit the new material as well and that was a rewarding experience, with people who cared deeply about storytelling and clarity in the process.
All along, they had hoped the deal with DC meant the parent Warner Bros would succeed where numerous other studios failed. ElfQuest was ripe for animation but for whatever reason, it never took off. With the success of Lord of the Rings on screen, everyone was scrambling for the next great franchise. New Line bet on The Golden Compass, Twentieth Century-Fox took a gamble with Eragon, and so on. None succeeded. And ElfQuest was left dormant and in time, disinterest among many DC execs meant the property was neglected and eventually the deal ended.
Oddly, about the time DC stopped living in the World of the Two Worlds, the parent company finally bit. They optioned the property and there was great excitement and hope.
This week, it seems, those hopes were officially snuffed out when Warner passed on the property. They were once more focused squarely on Middle Earth, feeling it had the only elves they could want which is odd coming from a company that owns more superheroes than most people can count.
Wendy, Richard, and the elves deserve far better and it’s a real shame Hollywood has yet to figure out how to successfully bring the charming Leetah, dashing Cutter, and their friends (and foes) to a wider audience.
Posted by Bob Greenberger on January 24, 2012
After four weeks off, I returned to Darien today to begin my student teaching. On the one hand, it was incredibly familiar since I have been coming to the high school regularly and on the other, I was beginning an entirely new chapter in my teacher preparation.
I was welcomed back like a long, lost pal which felt great. I got a nice hug from the teacher who permanently replaced me replacing the now-gone English teacher from December.
I attended the back-to-back World Lit Seminar classes and was introduced although I knew many of the students fairly well alread7y. We spent the first day of the one semester class reviewing the syllabus and dealing with questions so we eased right into things together.
After a few periods off, I then attended the two English 10 classes, where I had previously subbed so was immediately made to feel welcome. There was a little confusion among them when it was explained that in a few weeks I’d be taking over the class and their regular teacher would be absent from the room but they were ultimately comfortable with it.
And after classes ended, the two teachers and I sat down to review the voluminous paperwork from University of Bridgeport and map out how the twelve weeks would work, when I would take over which class and which four week stretch all four would be mine. That allowed us to solidify that I would handle Macbeth for English 10, as planned, and now add in Imagining Argentina for World Lit, plus largely supervise their third quarter paper. We were fortunately all comfortable with one another and they have confidence in me after interning and the December trial by fire.
This is going to be fun, I think.
Posted by Bob Greenberger on January 17, 2012
I’m overdue writing here, but it’s been busy.
I returned from a week in Florida to concentrate entirely on completing the manuscript to Star Trek: The Complete Unofficial History. In December, it became clear I was threatening to run amok with the word count and my editor kindly ratcheted me back into place. It did mean, though, that much had to be trimmed before I could complete a draft. Paul Simpson and Howard Weinstein stepped up and each took a decade and helped me whittle. I was sorry to see stories go and other material truncated but there’s a tremendous amount of history to cover.
Contractually, it was due January 9 but my editor recognized that between the holidays and word cutting, I needed time and said I had all week. As it was, Deb was out of town on business for a stretch allowing me to focus on little else but the book. This allowed me to complete a manuscript that was still over the contracted word count but now at a manageable level. Once my final sidebar was delivered, I gave the manuscript a once over and submitted it on Thursday which meant, I was more or less on time.
My attention now turns to graphics. I have a bunch of stuff in my personal collection that needs to be scanned and submitted for consideration. Other fans from around the world have begun sending in stuff, too. If you have Trek-related pictures form conventions, events, museum shows, etc., let me know. We can send you a release form and you can send in 600 dpi images for the designer to consider using.
Beyond that, I am now also turning my attention to student teaching, which begins one week from today. Yesterday, I watched Patrick Stewart’s version of Macbeth and followed along with the text. Today I will begin reviewing my teacher’s notes and materials so I can begin thinking about how I want to teach the Bard. Maybe it’s a good thing I’m starting with his shortest tragedy.
I’ve got a few small odds and ends to deal with such as cleaning up desk and office related things. There’s a wee bit of writing to do but doubt I will have all that much time to build up a head of steam on anything new.
I intend to read plenty, catching up on books and magazines while I can. After all, I’ve been warned how all-consuming the teaching can be and after my December taste of it, I see what they mean.
Posted by Bob Greenberger on January 10, 2012
I completely missed that my editor Michael Eury announced, just before Christmas the contents of the June issue of Back Issue! The cover story and bulk of the issue will be a career retrospective interview I conducted with Jenette Kahn. For those unfamiliar with Jenette, she arrived out of the blue to become DC’s publisher in 1976 and became its President as well in 1980, taking the title of Editor-in-Chief later on.
Jenette, with Paul Levitz, was responsible for DC experimenting with formatting such as 80-page dollar comics and adding eight-page backup stories in what was intended as a DC Explosion but management canceled the plan so today it’s better recalled as the DC Implosion. Still, she improved page rates and reprint rates for the talent, later ushering in the field’s first royalty plan and created an environment that encouraged talent to experiment.
Under Jenette, DC expanded in countless ways including creating its Special Projects division and upgrading the quality of the licensed merchandise the company approved. She championed the characters moving forward, heading into television and movies although that took a lot more time. It’s really her efforts in print that are best recalled since she allowed the content to mature and rewarded the efforts by creating Vertigo and later Piranha/Paradox Press. She also recognized when the time had come to spruce up the Big Three, using Crisis on Infinite Earths as the catalyst. It all culminated in 1986, the company’s biggest year when it released Frank Miller’s The Dark Knight, the revamp of Superman, and Alan Moore & Dave Gibbons’ The Watchmen.
Jenette left staff about a decade back and has gone Hollywood, a partner at Double Nickel Productions, which was responsible for Clint Eastwood’s Gran Torino. Through the years, Jenette has usually preferred to let everyone else talk so has been rarely interviewed. When Michael suggested it was time for a career look back, I jumped at the chance. Jenette agreed and we spent hours between June and August chatting. The resulting transcript is being fact-checked and edited right now and I should be delivering this to Michael in a few weeks.
Also in the issue will articles on those Dollar Comics, the unrealized kids’ line, the Wonder Woman Foundation, an interview with my pal and neighbor Bob Wayne, the early days of Vertigo, and a tribute to the recently departed Eduardo Barreto. Should make for some fine reading.
Posted by Bob Greenberger on January 5, 2012
I was little surprised to see the cover to Star Trek: The Complete Unofficial History go live on the Facebook page last night, mostly because I had seen it for the first time in the morning and had asked for a tweak or two. Still, it’s a solid design and should be eye-catching enough given the inability to use licensed images. (By the way, click over to the FB page and “Like” us.)

I am now playing beat the clock as I complete my work on the manuscript, having lost a week to a Florida trip to spend the holidays with family. Thank goodness Howard Weinstein and Paul Simpson are playing beat readers for me, helping me trim excessive words and making my points sharper. This will make it a far better reading experience for you.
Posted by Bob Greenberger on January 2, 2012
I don’t know how I managed it all, but I read 75 books in 2011. That’s more than I have in quite some time. Admittedly, some of the reading was for school and some of it was also done at school when I had time on my hands early in my internship at Darien High School. Also, once I began commuting to school, I began “reading” via audio book, using CDs from the library to either read books being taught in school or the occasional personal choice. And with 75 books read, it’s interesting to note how there were long stretches where everything I read was not necessarily what I wanted to read.
Still, I managed to sample more than a few new authors, honoring my annual commitment to reach out. So, what stood out in my mind as worthy of recommendation? The full list is behind the cut but I should mention Colonel Roosevelt, Major Pettigrew’s Last Stand, The White Tiger, Juliet, Naked, Baseball in the Garden of Eden, The Magicians, and In the Garden of Beasts. I truly enjoyed Suzanne Collins’ Hunger Games trilogy although felt the final chapters of book three fell apart and needed serious reconsideration. It did not dampen, though, my anticipation of the movie in April. I also enjoyed the final book in my friend Laura Anne Gilman’s Vineart War trilogy and wish she would write some more.
I continued to read my usual assortment of newspapers, magazines, and comic books although I always felt behind. Starting in the fall, my local weeklies and weekly magazines began showing up later and later. I called and complained to the post office and got a “we’ll look into it” but my local carrier told me that a new sorting system was screwing everything up and no one cared enough to fix it despite the complaints. So, Time, Entertainment Weekly and The Week – which normally showed up on Fridays – began arriving anywhere from Monday to Wednesday making them dated.
I’ve begun using the iPad for some reading and this week have begun downloading the magazines on their scheduled release date so I can remain contemporary. Earlier this year, I experimented with reading a text book via the Kindle app for my phone, laptop, and tablet and decided this was a useful step forward and suspect in the coming year, will switch more of my reading to an electronic device.
Here’s my reading list. What do you recommend I try in 2012? WAIT! There is more to read… read on »